bcjens

bcjens@arizona.edu

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Jens, Benjamin C

Associate Professor of Practice

Dr. Benjamin Jens received his Ph.D. in Slavic Languages and Literature from the University of Wisconsin-Madison. His main area of research is 19th-century Russian literature – especially the works of Fyodor Dostoevsky – with a focus on the relationship between literature, discourse, and Eastern Orthodoxy. He also has research interests in Eastern European cinema, science fiction, and cultural ties between the Western Balkans and Russia. Dr. Jens is also the director of the Arizona in Russia study abroad program in Moscow, Russia.

Select Publications

Jens, Benjamin, et. Al. “Oral History in the Russian Language Curriculum: A Transformative Experience.” The Art of Teaching Russian, eds. Evgeny Dengub, Irina Dubinina, and Jason Merrill, Georgetown University Press, 2020.
“Silence and Confession in The Brothers Karamazov.” Russian Review, vol. 75, no. 1, 2016, pp. 51–66.

Courses Taught:

RSSS 275 – Eastern Europe & the Balkans (EP-Humanist - World Cultures and Societies, Diversity and Equity)
RSSS280 – Sports and Empire (Building Connections – World Cultures and Societies)
RSSS304 – History of Soviet and Post-Soviet Film (EP-Humanist – World Cultures and Societies, Writing)
RSSS310 - Red Stars, Cosmonauts, and Robots: Soviet and East European Science Fiction (EP-Humanist - World Cultures and Societies)
RSSS315 – Werewolves and Vampires: Slavic Folklore in our Culture (EP-Humanist - World Cultures and Societies, Diversity and Equity)
RSSS325 – Eastern Orthodoxy in a Global Age (EP-Humanist – World Cultures and Societies)
RSSS335 – Healthy Places, Toxic Spaces (Building Connections - World Cultures and Societies, Diversity and Equity)
RSSS340 – The Pen and the Sword: Russian Writers and Autocracy (1825-1905) (EP-Humanist - World Cultures and Societies, Writing)
RSSS360 – Utopian Visions: East European Visual Culture (EP-Artist – World Cultures and Societies)

Currently Teaching

RSSS 310 – Red Stars, Cosmonauts, and Robots: Soviet and East European Science Fiction

This course studies a selection of the best and most influential fantastic, marvelous, and uncanny works from the region that brought the world rocketry, Sputnik, and the robot. Students will analyze a variety of media (in translation) from Eastern Europe that posit situations based in a "fantastic" space, time or world to compare how broader cultural concerns are expressed through the genre of science fiction. We will discuss the development of the genre in Eastern Europe from the era of Romanticism to the modern day, with emphasis on the historical-cultural context of the Space Race between the US and USSR and its impact on the genre. This course will explore the view "from the East" of such topics as progress, imperialism, human perfectibility, gender constructs, the nature of communication, human/other identity, and the limits of knowledge as humanity pushes further into the final frontier. Students will read all texts in translation; all films will be available with English-language subtitles.

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RSSS 315 – Vampires and Werewolves: Slavic & East European Folklore in our Culture

This course will examine the ways in which the vampire and werewolf serve as metaphors for human fears and desires. Starting with East European peoples, we will explore how the folklore around the monsters symbolized "the other" and cultural taboos. We will trace how Western cultures engaged with, adopted and transformed the East European beliefs to reflect evolving conception of identity, social conflict, gender/sexuality, and the nature of good and evil

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RSSS 360 – Utopian Visions: East European Visual Culture

Since the 1917 Bolshevik Revolution our understanding of East European and Russian art has been defined by utopian ideas of revolutionary transformation. This course will trace the historical development of East European and Russian art from the medieval era to the modern day, focusing primarily on the Imperial, Soviet, and post-Soviet periods to reveal the social and cultural forces behind artistic change, transgression, and transformation. We will investigate artists and art movements in Eastern Europe and Russia, critically assessing artistic influence, production, avant-garde experiments, reception, and cultural interaction in their historical context. We will also discuss how the changing ideologies in the 19th-, 20th-, and 21st centuries led to the re-assessment of artistic production in relation to discourses of nationalism, identity, gender, politics, modernity, propaganda, and mass media. The course analyzes the artistic practices, styles, interpretations, and expressions of recurring themes in East European and Russian art and culture more broadly, such as utopia, spirituality, anarchy, satire, and the collective.

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RSSS 280 – Sports and Empire: Sport in Soviet & Post-Soviet Eastern European Society

For almost 100 years, the Soviet Union and Russia have used large sporting events for both geopolitical and domestic purposes. In the Soviet Union sport was not only a means of entertainment, but also a key element of state propaganda. Through sport, the new Soviet person was to be made. By 1956, the Soviet Union took home more Olympic medals than the US team, setting the stage for a rivalry between capitalist and socialist states that would last throughout the Cold War era. This course will explore the birth of sport in Russia and Eastern Europe, trace how the Soviet system created a propaganda machine out of international sporting competition, and how the Soviet legacy continues into the modern day. We will also discuss contemporary sporting issues--such as doping scandals and the hosting of international events--to analyze how sport is used as a projection of identity, resistance and/or power in the global arena.

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RSSS 102 – Elementary Russian II

For the student with some knowledge of Russian.

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RSSS 325 – Eastern Orthodoxy in a Global Age

This course focuses on the history and doctrine of Eastern Christianity from its origins in the early Church through today, emphasizing the cultural manifestations of Orthodox doctrine: liturgy, iconography, pious practice. We will compare Eastern Orthodoxy to Western Christianity (Catholicism and Protestantism), and will examine various different national Churches within Eastern Orthodoxy (i.e., Byzantine, Bulgarian, Serbian, Modern Greek, the older "Oriental" Churches, etc.), with a primary focus on Russia. Eastern Orthodox Christianity is often perceived as being one of the more 'mystical' of Christian traditions, and we will explore the Orthodox vision of 'the mystical life', examining its basis in history and contemporary experience. We will also ask about the significance of Church doctrine and practice for the development of culture as a whole in the areas of the world in which Eastern Christianity predominates, and the ways in which that culture both differs from and relates to what we (perhaps inaccurately) call "Western" civilization. In general, Orthodox practice relies heavily on the senses, and the course is designed to be experiential. To that end, we will make at least one field trip to a local Orthodox Church during the course of the semester.

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