Course Schedule

RSSS 101 – Elementary Russian I

For the student with no previous experience in Russian.

RSSS 114 – How to Learn a Foreign Language

The goal of the course is to provide students with important tools to help them become successful foreign language learners. Students will become familiar with basic elements of language such as parts of speech and the pronunciation of new sounds as a means of enabling them to anticipate and effectively deal with problems in pronunciation, vocabulary building, and sentence formation that often come up in foreign language study. They will also learn about the intertwining of culture and language, such as how expressions of politeness and body language differ across cultures. They will also be exposed to different language teaching and learning styles, typical mistakes language learners make, and strategies for making language learning more effective. This information will be presented in the context of the wide variety of languages taught at the University of Arizona

RSSS 150B1 – East European Cinema in Social Context

East European Cinema in a Social Context (RSSS150) introduces students to a variety of excellent films that have come out of Eastern Europe in the last 100 years or so. Students will learn about the socio-political and cultural contexts of these films, the societies in which they were produced, and the events and situations that they depict. The goal of the course is to increase students' understanding and knowledge of Eastern European societies, cultures, and history while at the same time enhancing their appreciation and understanding of particular film masterpieces and cinema in general. By engaging them in the close study of these films, the course should help students develop analytical and viewing skills. Students should emerge from this course with a strong understanding of cinematic terms, an enriched understanding of diverse cultures of the region, and the tools for further exploration in a variety of academic disciplines (language, film, history, etc.). For purposes of this course, Eastern Europe includes the geographical area bounded by the Czech Republic in the west, Russia in the east; Poland in the north, and the former Yugoslavia & Greece in the south. We will watch a selection of movies from different areas.

RSSS 150B2 – Multicultural Russia

This course explores the diverse ethnic, linguistic, religious, and cultural identities of Russia's population, including the history of how such identities have evolved over time. We will discuss encounters and conflicts between mainstream and minority cultures, as well as the ways such encounters are viewed on the global stage and within Russia. By analyzing works of literature, films, historical documents, linguistics, works of art, musical recordings, and scholarship from the humanities and social sciences, students will become familiar with the most pressing debates on diversity, post-colonialism, and plurality in contemporary Russia.

RSSS 160C2 – Contemporary Russia in a Historical and Global Context

This course examines contemporary Russian culture and politics in a historical context, determining how the country's past influences present day culture and politics. We will learn of Russia's recent cultural and artistic triumphs within the context of Russia's rich history. In discussing Russian literary and cinematic works of the early 21st century, we will assess the impact of history on Russian consciousness and identity, noting how Russia presents itself around the world, and how it is perceived by other nations.

RSSS 201 – Intermediate Russian I

Third semester Russian.

RSSS 212 – Mythic Russia: Russian Fairy Tales and Folklore

"Mythic Russia" is an invitation to consider a non-Western--Russian--culture's belief system as expressed in its folklore. This course comprises four major themes, articulated in the following categories of texts, both verbal and visual:(1) a survey of Russian demonology, which illustrates the animistic nature of Russian popular beliefs about the world that persist to this day; (2) a large selection of the best-known Russian fairy tales, to be compared with German and English tales; (3) scholarly articles analyzing the differences between folklore and literature and representing various theoretical/critical schools: Structuralism, Marxism, Freudianism; and feminism; (4) literary fairy tales. Visual materials (film, paintings, graphics, and handicrafts) and music inspired by Russian folklore and fairy tales figure regularly in the course. Through examination of such materials and experiential learning activities, students will develop hermeneutical skills, specifically in analyzing fairy tales in order to understand what underlies their strikingly simple yet enigmatic surface. In addition, they will master the principles of various schools of criticism, in the process assessing their relative explanatory power vis-à-vis sundry texts. Finally, students will develop their understanding and appreciation of the intellectual benefits of diverse perspectives and cross-genre continuities provided by an interdisciplinary, multi-media approach to the cultural phenomenon of the Russian folk tale.

RSSS 301 – Advanced Grammar and Composition

RSSS 315 – Vampires and Werewolves: Slavic & East European Folklore in our Culture

This course will examine the ways in which the vampire and werewolf serve as metaphors for human fears and desires. Starting with East European peoples, we will explore how the folklore around the monsters symbolized "the other" and cultural taboos. We will trace how Western cultures engaged with, adopted and transformed the East European beliefs to reflect evolving conception of identity, social conflict, gender/sexuality, and the nature of good and evil

RSSS 335 – Healthy Places, Toxic Spaces: GeoHumanities & Health in Russia & Eastern Europe

Space, place, and ecology have long played the part of actors - rather than backdrops - for human action in Eastern European arts; by adding the concept of health, this course explores the intersection of the human person, culture, and the environment in Eastern European literature and film. By analyzing the "humanistic geography" created by artists from the region, this course will endeavor to understand how the health (broadly understood) of individuals is affected by place, and vice versa. This course will also explore how authors have contributed to creating a "cultural biography" of some of the major health and environmental issues - the legacy of Chernobyl, migration, accessibility, etc. - facing Russia and Eastern Europe today.

RSSS 340 – The Pen and the Sword: Russian Writers and Autocracy 1825-1905

This course is designed to be an introduction to the "Golden Age" of Russian literature. We will read a selection of classic Russian texts, with representative works from "canonical" authors like Dostoevsky and Tolstoy, among others. The writers we will read not only played a key role in the development of Russian literature, but their handling of life's greatest issues (the existence of God, the meaning of life, struggle for gender equality, the organization of society, the mystery of death, etc.) have influenced cultural, intellectual, and political movements throughout the world. The course readings are organized chronologically and by theme, and we will trace the progression of the major literary movements of the era (sentimentalism, romanticism and realism) while exploring the individual style/technique of each author. Works will be considered within their cultural context --historical, social, ideological and intellectual --in order to provide a better understanding of Russian thought, culture, and literature. All readings, discussions and written assignments will be in English.

RSSS 360 – Utopian Visions: East European Visual Culture

Since the 1917 Bolshevik Revolution our understanding of East European and Russian art has been defined by utopian ideas of revolutionary transformation. This course will trace the historical development of East European and Russian art from the medieval era to the modern day, focusing primarily on the Imperial, Soviet, and post-Soviet periods to reveal the social and cultural forces behind artistic change, transgression, and transformation. We will investigate artists and art movements in Eastern Europe and Russia, critically assessing artistic influence, production, avant-garde experiments, reception, and cultural interaction in their historical context. We will also discuss how the changing ideologies in the 19th-, 20th-, and 21st centuries led to the re-assessment of artistic production in relation to discourses of nationalism, identity, gender, politics, modernity, propaganda, and mass media. The course analyzes the artistic practices, styles, interpretations, and expressions of recurring themes in East European and Russian art and culture more broadly, such as utopia, spirituality, anarchy, satire, and the collective.

RSSS 415 – Advanced Topics in Russian Language, Literature and Linguistics

A variable topics course taught in English or Russian (depending on subject material).

RSSS 493C – Internship

Specialized work on an individual basis, consisting of training and practice in actual service in a technical, business, or governmental establishment.

RSSS 497 – Language & Digital Media

This course examines, through a range of topics and research frameworks, a relationship between language and digital media and the many ways language communication dynamics operates across changing mediascapes. The course provides a solid foundation in relevant theoretical concepts balanced with practical exercises and creative projects. The course adopts a broad interpretation of the term "media" focusing on existing online media platforms as well as on the issues that arise from various uses of digital media for social, political, and cultural purposes, including virtual community building, digital semiotics, memes, viral spreads, surveillance, political opposition and oppression, and propaganda, marginalization and liberation, participatory cultures, production dimensions, etc. The course is designed for graduate and undergraduate students in Russian sociolinguistics, and (second) language studies interested in learning how to research digital media discourse. The course is taught in English; no knowledge of Russian language is required.

RSSS 101 – Elementary Russian I

For the student with no previous experience in Russian.

RSSS 102 – Elementary Russian II

For the student with some knowledge of Russian.

RSSS 114 – How to Learn a Foreign Language

The goal of the course is to provide students with important tools to help them become successful foreign language learners. Students will become familiar with basic elements of language such as parts of speech and the pronunciation of new sounds as a means of enabling them to anticipate and effectively deal with problems in pronunciation, vocabulary building, and sentence formation that often come up in foreign language study. They will also learn about the intertwining of culture and language, such as how expressions of politeness and body language differ across cultures. They will also be exposed to different language teaching and learning styles, typical mistakes language learners make, and strategies for making language learning more effective. This information will be presented in the context of the wide variety of languages taught at the University of Arizona

RSSS 150B1 – East European Cinema in Social Context

East European Cinema in a Social Context (RSSS150) introduces students to a variety of excellent films that have come out of Eastern Europe in the last 100 years or so. Students will learn about the socio-political and cultural contexts of these films, the societies in which they were produced, and the events and situations that they depict. The goal of the course is to increase students' understanding and knowledge of Eastern European societies, cultures, and history while at the same time enhancing their appreciation and understanding of particular film masterpieces and cinema in general. By engaging them in the close study of these films, the course should help students develop analytical and viewing skills. Students should emerge from this course with a strong understanding of cinematic terms, an enriched understanding of diverse cultures of the region, and the tools for further exploration in a variety of academic disciplines (language, film, history, etc.). For purposes of this course, Eastern Europe includes the geographical area bounded by the Czech Republic in the west, Russia in the east; Poland in the north, and the former Yugoslavia & Greece in the south. We will watch a selection of movies from different areas.

RSSS 280 – Sports and Empire: Sport in Soviet & Post-Soviet Eastern European Society

For almost 100 years, the Soviet Union and Russia have used large sporting events for both geopolitical and domestic purposes. In the Soviet Union sport was not only a means of entertainment, but also a key element of state propaganda. Through sport, the new Soviet person was to be made. By 1956, the Soviet Union took home more Olympic medals than the US team, setting the stage for a rivalry between capitalist and socialist states that would last throughout the Cold War era. This course will explore the birth of sport in Russia and Eastern Europe, trace how the Soviet system created a propaganda machine out of international sporting competition, and how the Soviet legacy continues into the modern day. We will also discuss contemporary sporting issues--such as doping scandals and the hosting of international events--to analyze how sport is used as a projection of identity, resistance and/or power in the global arena.

RSSS 315 – Vampires and Werewolves: Slavic & East European Folklore in our Culture

This course will examine the ways in which the vampire and werewolf serve as metaphors for human fears and desires. Starting with East European peoples, we will explore how the folklore around the monsters symbolized "the other" and cultural taboos. We will trace how Western cultures engaged with, adopted and transformed the East European beliefs to reflect evolving conception of identity, social conflict, gender/sexuality, and the nature of good and evil